Minari Review: Steven Yeun balances family and the American Dream in A24’s latest, warmest drama | Sundance 2020

In the 1980s, my father put all his hopes and dreams into the American Dream.…

Kajillionaire Review: Life is what you steal for it in Miranda July’s newest indie wonderwork | Sundance 2020

Between Shoplifters and Parasite, new movies about “scamilies” (that’s my new term for “scam artist families,” don’t wear…

Downhill Review: Julia Louis-Dreyfus and Will Ferrell face an uphill battle in saving this black comedy from itself | Sundance 2020

Downhill is one of the first movies ever to be released under the newly-branded Searchlight Pictures,…

‘The Gentlemen’ Movie Review: Guy Ritchie’s re-snatch rocks the suits and deserves better rolls

Upon exiting Aladdin, the need to issue an APB for the Hatfield filmmaker, who we…

Worth Movie Review: Michael Keaton and Stanley Tucci debate human value in the wake of 9/11 | Sundance 2020

If you enjoyed the energetic procedural drama of Spotlight, as well as two of its central…

Never Rarely Sometimes Always Review: Director Eliza Hittman shows the kids aren’t all right, and that’s not really our problem. | Sundance 2020

In Never Rarely Sometimes Always, Sundance directing alum Eliza Hittman (Beach Rats) engages with a subject…