Cory Woodroof
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Cory Woodroof has been reviewing films since he was 3 and could read the movies section of the newspaper, but thankfully, his writing and grammatical skills have improved since then. He has written for publications like the Nashville Scene, The Playlist, The Falcoholic and PopMatters and is a board member with the Music City Film Critics Association. He's on Rotten Tomatoes, too, if that means anything.

‘Don’t Look Up’ review: Adam McKay’s angry, exhaustive satire is a miss

On “Murder,” one of The Office‘s funniest episodes, the employees at Dunder-Mifflin’s Scranton branch face catastrophe. The company’s economic situation is dire, and rumors of bankruptcy begin to float around the workspace. Of course, that could mean lost jobs, losses…

‘Halloween Kills’ review: A murky, unnecessary slaughterfest

The real villain in ‘Halloween Kills’ isn’t Michael Myers; it’s a lack of common sense.

‘Fauci’ review: A noble attempt to add context to a hero

‘Fauci,’ National Geographic’s effort to tell the polarizing doctor’s story for a general audience, is a new documentary available to stream on Disney+.

‘Venom: Let There Be Carnage’ review: A funky, junky course correction

The best thing about Venom: Let There Be Carnage is that Marvel-Cinematic-Universe-meg-producer Kevin Feige never would’ve allowed it to happen. Feige, the sovereign of superhero sameness, has made a career out of reforming the type of movie that this latest…