Jon Negroni

Editor

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Based out of the San Francisco Bay Area, Jon Negroni is TYF’s resident film editor and lover of all things oxford comma. He’s the author of two novels and a book about Pixar movies, plus he hosts Cinemaholics, a weekly movie review podcast.

For Better or Worse, ‘Five Feet Apart’ Will Impact Haley Lu Richardson’s Indie Cred. It Shouldn’t.

Chances are you will recognize Haley Lu Richardson. Maybe because you saw her play Hailee Steinfeld’s affable best friend of in 2017’s The Edge of Seventeen. Or perhaps you caught a glimpse or two of her as one of the…

‘Honey Boy’ Review: Shia LaBeouf Delivers His Most Personal Performance Ever | Sundance 2019

It’s no secret that our traumas define us. They shape our decisions, relationships, and how we see the world. What doesn’t get shared often enough, though, is an articulation of personal trauma through our own acting. In many ways, Honey…

‘Light from Light’ Review: Marin Ireland and Jim Gaffigan Search For Supernatural Meaning | Sundance 2019

We’re all either believers or skeptics when it comes to the paranormal, but that doesn’t mean we know which of the two we really are. This is the bottom line of Light from Light, an “anti-horror” drama from director Paul Harrill…

‘Mike Wallace is Here’ Review: A Documentary Fit For A Legend | Sundance 2019

The heyday of TV journalism wields many iconic figures behind the camera. Walter Cronkite, Dan Rather, Barbara Walters, the list could be quite extensive. Going into Mike Wallace is Here, a new documentary covering the prolific life of the man…

‘Relive’ Movie Review: A Cell Phone Time Machine That Drops The Call | Sundance 2019

Films are wonderful vehicles for wish fulfillment, so it makes sense that time travel gets as much play as it does as a genre device. Great films use a variety of character motivations to justify the decision to tinker with…

‘To the Stars’ Review: Love and Friendship are a Beautiful Gray Area | Sundance 2019

Whenever a filmmaker decides to set their film in black and white, the question has to be asked: Why? The answer may say a lot about how well the overall film works, independent of any cinematography considerations, and it should…

‘The Mustang’ Review: A Prisoner and His Horse Tread Familiar Ground | Sundance 2019

In the opening moments of The Mustang, we observe a group of wild horses resting on a sprawling western plain in an almost eery silence. The scene is jolted, however, when a helicopter swoops in to corral the creatures into…