Katie Gill
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Katie Gill is a pop culture writer who enjoys girl groups, C-list superheroes, and country ballads about being a hot mess. When she's not writing, she's exceedingly mediocre at a wide assortment of arts and crafts and spends way too much time talking about her dog.

Album Review: Glen Campbell – “Adios”

In June 2011, legendary country musician Glen Campbell revealed that he had Alzheimer’s disease. Campbell, famous for songs like “Rhinestone Cowboy” and “Wichita Lineman”, is a mainstay in country music and has been in the business for over fifty years.…

Album Review: Flogging Molly – “Life is Good”

Writer Sarah Dollard aptly described “Galway Girl” by Ed Sheeran as “that fiddly dee Oirish girl song.” Those words can be applied to almost any sort of genre crossover involving Celtic music: artists want the work to draw from the…

From the Record Crate: Whitney Houston – “Whitney” (1987)

When it was released on June 2, 1987, Whitney wasn’t exactly praised by the press. The album, the second album from singer Whitney Houston, received a lot of comparisons to her first album, Whitney Houston. Whitney was seen as Houston…

Album Review: Rascal Flatts – “Back To Us”

Rascal Flatts have become a country staple simply because they make okay songs and have regularly made okay songs for over fifteen years. Their best known singles such as “What Hurts The Most” and “Bless The Broken Road” aren’t good,…

Album Review: DREAMCAR – “DREAMCAR”

In most period films, there’s five minutes – usually in the opening credits – where the film beats you over the head that it’s set in a certain time. A girl in a scrunchy, leg warmers, and an off the…

Eurovision 2017: What To Watch For

For many Americans, Eurovision seems downright baffling, an equal measure of national grudges, camp, and actual pop music. This is not entirely wrong. The Eurovision Song Contest is the world’s longest running annual international song competition, having been broadcast annually…

Album Review: Flobots – “NOENEMIES”

No Enemies (stylized as NOENEMIES) is an album that tries really hard. It tries REALLY really hard. You can tell that the members of the Flobots wanted to create an all-encompassing, hard-hitting, amazingly timely protest album that deftly brings up…