Emerging with more vitality than ever after a messy breakup with her previous label, Laura Mvula’s first album under Atlantic, ‘Pink Noise’ tells a st…
‘A Tiny House, In Secret Speeches, Polar Equals’ review: Sweet Trip’s newest indie adventure pays homage to 90s’ underground
No matter how many return projects fall flat, one thing is certain: musical genius doesn’t just fade. Kanye West’s lesser projects (if the…
Album Review: Paul Rocha releases appealing retro-flavored ‘Apophenia’
At times dark, while at other times radiant, ‘Apophenia’ is simultaneously picturesque and tenderly sad, balancing on the threshold of the…
‘Butterfly 3000’ review: King Gizzard’s synthetic journey shows hints of STRFKR
King Gizzard’s musical approach has garnered much praise and many fans throughout the past decade. Releasing a whopping eighteen studio albums s…
EP Review: Radiolarian – ‘The Man That Time Forgot’
Imaginative and coruscating with scrumptious, lustrous patinas of avant-garde dream-pop,’ The Man That Time Forgot’ is complex and oh so c…
‘Inside’ review: Mother Mother miss the mark
Among the slew of albums coming out around the pandemic, Mother Mother’s eighth studio album Inside brings some rather lukewarm sentiments to th…
Album review: Grey Fields Drop Lucent ‘Vesna’
Simultaneously translucent and alluring, Vesna bestows graceful successions of opulent, yet moody prog-rock capped by pensive vocals.…