Violence was all the rage in August of 1967. New Hollywood started with Bonnie and Clyde, and a few weeks later Point Blank was released. While Bonnie and Clyde started a cinematic revolution, Point Blank is one film that should not be overlooked. Starring Lee Marvin and Angie Dickinson, the film follows Walker (Marvin) on his sadistic pursuit to seek revenge on his one-time friend, Mel Reese (John Vernon), who left him for dead after stealing $93K. The neo-noir might not have had the impact that the Warren Beatty gangster film which preceded it into theaters might have had on cinema and the surrounding culture, but the film starring a 47-year-old Lee Marvin was more attuned to the times than one might realize.
Walker is up against an entity only known as the “organization.” The organization has killed Walker’s wife and holds the money owed to him. The “organization” is powerful and far-reaching, consisting of suit and tie business men and large corporations. It was not lost on 1967 audiences and takes little imagination for modern viewers to see that the film is tapping into the fears of a generation that view their government and corporations as dangerous. Walker, like Bonnie and Clyde, are fighting “the man” at every turn; the little people, the regular folk doing what they can to defy the omnipotent disembodied powers that work against the average American.
The film features LSD imagery, such as when Walker looks into the bathtub and sees the multi-colored bath soap, and a surreal style of editing that makes you play catch up. Point Blank might not have the splashy ultra-violence of Bonnie and Clyde yet it shares its sentiment and is often overlooked as a counter-culture film, and there is no reason that it should.
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