Wallows have got the indie-rock game locked down. But their new album, Tell Me When It’s Over, explores experimentation one only hopes they dived into further.…
‘Crash’ review : The latest from Charli XCX fails to live up to her best
Pop-singer Charli XCX has had an eclectic and genre-shifting career since her debut with the 2013 album True Romance. With an arsenal of guest musicians over almost a decade, from BTS and Lizzo to SOP…
‘The Jacket’ review: Widowspeak create a dreamy safe space to shelter inside
Six albums in, Widowspeak release a remarkable shoegaze-sounding album, chock full of sweet metaphors and honest heartbreak.…
‘Love Sux’ Review: Avril Lavigne time wraps to the early noughties pop-punk fever dream
With the beginning the current pop-punk revival we are in, Avril Lavigne is back with Love Sux, the ferocious new offering from the singer drawn from early noughties nostalgia reflected through a mode…
‘Time Skiffs’ review: Animal Collective conveys a story that yet has to find its ending
If you want to feel old, keep in mind that Animal Collective is coming near their third decade together as a band. And six years later (almost to the day), they have finally returned with a completely…
Album Review: Black Country, New Road reinvents itself in ‘Ants From Up There’
Just over a year ago, Black Country, New Road released its debut album For the first time, which featured singles like “Athens, France” and “Sunglasses,” and experimented with post-punk, free jazz, ma…
‘Heaux Tales’ review: Jazmine Sullivan gives an exclusive peek into the realities of modern woman
Drawing inspiration from the kind of complex and raw feminine energy that modernity set off as an antithesis to the masculinity and overt sexualism that has shaped mainstream hip-hop, Jazmine Sullivan…