With so many streaming services to sift through, missing out on the latest release is all too easy. We here at The Young Folks certainly believe you should get your money’s worth with the apps y…
‘The Lost Daughter’ review: Maggie Gyllenhaal’s directorial debut is a gripping drama about parental strife
There’s always a moment when we stop seeing our parents as superheroes and learn they’re human beings just as fragile as us. The ones who taught us right from wrong and can heal any hurt with a hug ar…
‘The Power of the Dog’ review: Benedict Cumberbatch is a hateful rancher in Jane Campion’s slow-burn western
When watching any western, it’s fair to expect gunslinging cowboys, small towns with a local watering hole, and a whole lot of horses. In the case of The Power of the Dog, audiences can expect a much …
‘Twentysomethings: Austin’ Part 1 review: Netflix’s latest reality show is grounded in real life drama
One of the cast members summed up Netflix’s latest reality show Twentysomethings: Austin well: “It feels like college again.” And he’s right, if you take away the classes, textbooks, and papers. The n…
‘Single All the Way’ review: A heartwarming, but predictable Christmas rom-com
Reminiscent of many a Hallmark Channel movie, even for Netflix, Single All the Way tells the story of best friends Peter (Michael Urie) and Nick (Philemon Chambers). Wanting to avoid the prodding ques…
‘Don’t Look Up’ review: Adam McKay’s angry, exhaustive satire is a miss
On “Murder,” one of The Office‘s funniest episodes, the employees at Dunder-Mifflin’s Scranton branch face catastrophe. The company’s economic situation is dire, and rumo…
‘The Unforgivable’ review: Sandra Bullock returns with a knockout, dramatic performance
I have yet to find a Sandra Bullock movie I do not like. From The Proposal to Ocean’s 8 to Bird Box, not one has ever left me disappointed. And let me tell you, Bullock’s most recent Netflix fil…