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The Other Side of the Wind Review
6
Movie Reviews
The Other Side of the Wind Sees Long-Awaited Lost Film is a Tired Yet Furious Bridge-Burning
Nathanael Hood November 6, 2018

We’ll never actually see Orson Welles’ final film The Other Side of the Wind, no more than we’ll ever actually see Welles’ The Magnificent Ambersons (1942) or Touch of Evil (1958). But whereas the lat…

Nathanael Hood November 6, 2018
8
Movie Reviews
They’ll Love Me When I’m Dead Movie Review | NYFF 2018
Nathanael Hood October 6, 2018

During the post-screening panel following the New York Film Festival premiere of his new film They’ll Love Me When I’m Dead, award-winning documentarian Morgan Neville revealed that of all the artists…

Nathanael Hood October 6, 2018
Featured
Orson Welles in the 21st Century
Paul Gilbert May 6, 2015

By the end of the Great Depression, cinema was at a standstill, sound made the movies into talkies and the invention of Technicolor transported Dorothy into Oz. But sound and color were only aesthetic…

Paul Gilbert May 6, 2015
Featured
Orson Welles 100th Birthday: Greatest Works
TYF Staff May 6, 2015

In honor of Orson Welles’ 100 Birthday, the TYF staff takes a look back at some of Welles’ greatest works and performances.…

TYF Staff May 6, 2015
Featured
Out of the Past: “Touch of Evil” (1958)
Paul Gilbert May 5, 2015

Orson Welles was not long for Hollywood. Every attempt he made at resurrecting his career was masterful, but ultimately rejected by the studio and audiences alike. Like Jay Gatsby, Welles futilely tri…

Paul Gilbert May 5, 2015
Featured
Out of Past: “The Lady from Shanghai” (1948)
Paul Gilbert April 28, 2015

Next week is Orson Welles’ birthday centennial (May 6th) and this website is going to be chock full of Welles tributes. But, let’s start the party early with his 1948 noir The Lady from Shanghai…

Paul Gilbert April 28, 2015
Film
The Film Canon: The Magnificent Ambersons (1942)
Nathanael Hood April 10, 2015

It is impossible to discuss Orson Welles’ Citizen Kane (1941) without examining the film’s two central figures: William Randolph Hearst, the American newspaper magnate that the film’s central megaloma…

Nathanael Hood April 10, 2015

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