Natalia Dyer exchanges 80’s spandex for an early 2000’s Catholic school uniform in Karen Maine’s Yes, God, Yes. Maine previously co-wrote Obvious Chil…
She Dies Tomorrow Review: Amy Seimetz Unleashes Pure, Existential Dread in this Infectious New Horror
Much of She Dies Tomorrow dwells on a flow of melancholic scenes where young, 30-something Amy (Kate Lyn Sheil) can’t seem to shake the feeling …
Radioactive Review: Rosamund Pike carries this Uneven, Yet Ambitious Biopic
One of the most well-known facts about French-Polish scientist Marie Curie was how self-damaging her discovery ended up being. Decades after her unti…
Summerland Movie Review: An Offering of Hope and Beauty
In times when there’s no knowing if that van over there is civilian owned or federally rented and demonic “relations” is how one contracts COVID-19, w…
Interview: Netflix’s ‘The Kissing Booth 2’ Taylor Zakhar Perez and Maisie Richardson-Sellers
After the huge success of Netflix’s The Kissing Booth, we finally got a second film (and a third coming soon), but this time the stakes and danc…
The best moments of Hamilton on Disney Plus
By now, most of us have at least three Hamilton songs stuck in our heads. We don’t blame you. It’s inevitable. The pop culture p…
The Rental Movie Review: Dave Franco delivers a decent enough horror thriller
The Rental, Dave Franco’s directorial debut, offers some entertaining horror value in certain respects, but suffers from a lack of meaningful and inte…