Sofia Coppola has made a career of finding the poignant in daily minutia and intricate beauties in the sublime. Hers is an eye that gravitates to past…
‘Evil Eye’ Movie review: Blumhouse’s newest film has wasted potential
On paper, Rajeev and Elan Dassani’s film, Evil Eye, has a fascinating premise. Featured in Amazon Prime’s Welcome to the Blumhouse series, Evil Eye fe…
‘Love and Monsters’ review: Found families save the world in this fun monster tale
There’s all different types of love in Love and Monsters. Romantic love drives Joel’s (Dylan O’Brien) quest across a monster-infeste…
AFI 2020 review: ‘Sound of Metal’ is an uncompromising character study anchored by Riz Ahmed’s tour de force performance
Bruising in its delivery and blistering in its fall out, Sound of Metal is an astonishing, fully visceral experience anchored entirely by a tremendous…
‘The Trial of the Chicago 7’ review: Not your average courtroom drama
There’s no mistaking the fact that The Trial of the Chicago 7 is an Aaron Sorkin film. From the dialogue-heavy script to the wry and witty banter, Sor…
Black Box review: Osei-Kuffour Jr.’s debut explores the horror behind false memories
Memories are tricky things to decipher. Sometimes we misremember things, while at other times, certain moments can be entirely misrepresented or exagg…
‘Hubie Halloween’ review: Adam Sandler brings trademark boredom to Halloween
In 2014, Adam Sandler and his Happy Madison Productions signed a $250 million deal with Netflix to produce four new movies. Since that deal, Sandler a…