Calling all film lovers who, like me, have recently not had enough time to invest multiple hours sitting in a movie theater or in front of your comput…
‘Bodies Bodies Bodies’ review: A new generation of slasher
The culmination of Gen Z and the digital age comes together in A24’s newest slasher whodunit, Bodies Bodies Bodies. Horror films aren’t afraid to poke…
‘Emily the Criminal’ review: A smart and tightly woven crime thriller starring Aubrey Plaza
In Emily the Criminal, first-time writer/director John Patton Ford makes simultaneously crafting a tense thriller and insightful social commentary lo…
‘Summering’ review: A half-baked and muddled misfire for James Ponsoldt
Promising on paper, Summering is a frustrating film on almost every level. I went in with high hopes, as would anyone who loved James Ponsol…
‘Inu-Oh’ review: Masaaki Yuasa delivers a dizzying, animated, rock-opera
With infectious animation and visual vibrancy, Masaaki Yuasa once again proves himself a master of his craft in Inu-Oh. Based on the novel Tales of th…
‘Prey’ review : Expect the unexpected
The Predator franchise may not have as large a following as other sci-fi sagas out there. You won’t see many heated debates over which era is better, …
Jo Koy says ‘Easter Sunday’ is art imitating life
We spoke with the stars of Universal Pictures’ family flick Easter Sunday. Jo Koy and Lydia Gaston portray a son and mother in the new movie about the…