The dead (jokes) don’t stay dead on Netflix’s newest horror-comedy sequel, The Babysitter: Killer Queen. Just like its predecessor – The Babysitter (2…
‘Antebellum’ review: A butterfly too hollow for urgent race discussions
Time to expand the Wikipedia entry of “Antebellum (film).” A 2020 American horror film, yes, and a title that is a contraction of “an anti-oppression …
76 Days Review: Devastating and Necessary | TIFF 2020
The start of 76 Days, the latest from documentary filmmaker Hao Wu along with Weixi Chen and their anonymous co-director, is something out of a horror…
Beans Review: An Immensely Powerful Coming-of-Age Story Set Against Oka Crisis of 1990 | TIFF 2020
Working as both a necessary history lesson as well as standing alone as a startling work of storytelling, Beans, directed by Tracey Deer, is a film th…
Wolfwalkers Review: A Visually Stunning Tale | TIFF 2020
The latest from Song of the Sea and The Secret of Kells director Tomm Moore, along with Ross Stewart sharing directing duties, is a visual feast. Wolf…
The Boys 2×04 Review: “Nothing Like It in the World” shows the importance of our similarities
“Nothing Like It in the World,” The Boys’ fourth episode of season two, takes time for some small human connections that are a welcome reprieve from t…
Nomadland Review: Chloé Zhao’s Latest Stuns by Finding Humanity in the Smallest of Moments | TIFF 2020
Chloé Zhao has an ability to capture the unseen America in a way that sets her apart from any of her contemporaries. There’s no romance in her s…