Jesca Hoop has returned once again with an album consisting of evocative, subtly haunting and deeply empathetic songs, each delivered in her crystal c…
Tiny Changes: A Celebration of Frightened Rabbit’s ‘The Midnight Organ Fight’ – Remembering an immense talent
Great pain does not beget great art; trauma won’t always lead to inspiration, nor internal conflict to expression. These notions that to be an artist …
Album Review: Bill Callahan – “Shepherd in a Sheepskin Vest”
Since settling down with his wife and becoming a father, longtime champion of lo-fi folk rock Bill Callahan sees the world through new eyes, and it ha…
Album Review: Freddie Gibbs & Madlib – “Bandana”
After the critical and commercial success of Piñata, Freddie Gibbs and Madlib cemented themselves as one of the best rapper/producer duos of the decad…
Tito “El Bambino” Makes His Long Awaited Return
Considered by many as one of the pioneers of what is now called Urban Music, Tito El Bambino has made his triumphant return with his Summer hit Pega P…
A Month in Aussie Music – June Edition
Australian TYF staff writer Georgia Anger returns with her monthly instalment of A Month In Aussie Music, taking a look back on a month of exciting ne…
Album Review: Julia Jacklin – “Crushing”
With her 2019 release, Crushing, Australian singer-songwriter Julia Jacklin has created a simply beautiful, remarkably succinct album exploring everyd…