It’s been 17 years since Alex Turner told the world “don’t believe the hype” on his band’s breakout single. Cocky as it was, dismissing the traps of t…
Album Review: Maajo – ‘Water of Life’
Afro-Finnish band Maajo releases their third album, Water of Life, featuring two previously released tracks, “Better Days” and “Uelmissani,” via Wonde…
‘Dirt Femme’ review: Tove Lo shares her take on the status quo in her latest album
Swedish singer-songwriter Tove Lo has returned with her latest album, Dirt Femme. Though it is her fifth studio album, this will be her first project …
“Quiet the Room” review: Skullcrusher’s debut album stuns with Helen Ballentine’s bewitching vocals
The name Skullcrusher immediately conjures up suggestions of doom metal, sludge, or thrash metal. The paradox between the appellation, which is the pr…
‘The Starter Wife’ review: Daphne Parker Powell bares her heart on latest album
Folk-rock singer-songwriter Daphne Parker Powell, releases her sixth album, The Starter Wife, a collection of songs echoing the question of ‘what’s fo…
‘Only Built For Infinity Links’ review: Quavo and Takeoff can’t freshen the Migos formula
“I ain’t left off ‘Bad and Boujee,’ you think I’m left off ‘Bad and Boujee.” Dated meme aside, Takeoff not having a line in Migos’s biggest hit is the…
‘Into The Blue’ review: Broken Bells takes a proggier direction on latest album
The collaborative project of Brian Burton and James Mercer, Broken Bells releases their new album, Into The Blue, the first since After the Disco, whi…