HAIM’s long-awaited third album, Women in Music Pt. III, is a refreshing and relaxed collection of personal yet pop-perfect songs. Haim sisters E…
Album Review: Dirty Projectors Continue to Absorb Outer Influence and Break Rules on “Flight Tower”
The beginning of my annual summer reading heavily involved Lizzy Goodman’s Meet Me in the Bathroom: Rebirth And Rock And Roll In New York City 2…
Album Review: Khruangbin transports listeners to a peaceful place with “Mordechai”
On their highly anticipated third LP, Houston based psychedelic trio, Khruangbin, makes listeners feel as though everything is, and will be, alright. …
Album Review: Enter Shikari Resonates with Apøcaholics Finding a Rhythm in Chaotic Times
Enter Shikari’s sixth studio album gets right to the point with an album title like Nothing is True & Everything is Possible. The album takes on t…
Album Review: Bob Dylan – “Rough and Rowdy Ways”
Bob Dylan’s 39th studio album, Rough and Rowdy Ways, finds the aging Nobel Prize-winning singer-songwriter looking to the past and settling comfortabl…
Album Review: Teyana Taylor is in the creative driver’s seat on “The Album”
At just 15 years old, Teyana Taylor began a vibrant career in the entertainment industry. A multitalented force – singer/songwriter, actress, model, d…
Album Review: Norah Jones’s latest album is most powerful in its sonic palette
Norah Jones has been releasing albums pretty consistently since 2002, but besides the rollicking Little Broken Hearts in 2012, her overwhelming early …