There’s no mistaking the fact that The Trial of the Chicago 7 is an Aaron Sorkin film. From the dialogue-heavy script to the wry and witty banter, Sor…
Black Box review: Osei-Kuffour Jr.’s debut explores the horror behind false memories
Memories are tricky things to decipher. Sometimes we misremember things, while at other times, certain moments can be entirely misrepresented or exagg…
‘Hubie Halloween’ review: Adam Sandler brings trademark boredom to Halloween
In 2014, Adam Sandler and his Happy Madison Productions signed a $250 million deal with Netflix to produce four new movies. Since that deal, Sandler a…
‘Vampires vs. the Bronx’ review: Netflix’s new film explores how gentrification affects communities of color
Written and directed by Oz Rodriguez, Vampires vs. the Bronx tackles the underdog story in a new way. While movies about vampires have been seen time …
‘Enola Holmes’ review: Netflix’s charming addition to a new Sherlock Holmes canon
Enola Holmes is the joy we needed from 2020. Watching the trailer, it seemed like we were getting a lighthearted version of a Sherlock Holmes detectiv…
‘Stuntwomen’ documentary review: An untold story both unmissable and unforgettable
Legs, three times. Shoulder. Head. Teeth. Nose. These are the parts stuntwoman-turned-stunt coordinator Melissa Stubbs recalled she had broken through…
‘Unpregnant’ review: Buddy comedy confidently confronts abortion stigmas
It takes about 47 minutes for Unpregnant to say the word “abortion.” Not only that, the movie’s main character is afraid to even say the word until sh…