Even if she were to direct an airline safety video, Claire Denis would fill each frame with grace and emotional heft. In her latest film, Un beau sole…
Tribeca 2018 Movie Review: Ryuichi Sakamoto: Coda
It begins with a piano, still waterlogged and soggy long after drowning in the tsunami that washed away large swaths of Fukushima, Japan in March 2011…
Avengers: Infinity War Movie Review: The MCU Delivers Again with a Messy, Beautiful and Shocking Film
At moments, Avengers: Infinity War is an ugly film. From the putrid coloring of Thanos’ (Josh Brolin) skin and burnt oranges and reds casting de…
Tribeca 2018 Movie Review: Smuggling Hendrix
How far would you go for your dog? To the end of the neighborhood? To the ends of the earth? Or how about to the ends of internationally recognized te…
Tribeca 2018 Movie Review: Song of Back and Neck
There are really two movies trapped inside Paul Lieberstein’s Song of Back and Neck. Both are about healing, the one literal, the other figurative. On…
Tribeca 2018 Movie Review: Dead Women Walking
No critic ever watches a movie hoping it will be bad, but it’s quite rare for a critic to actively wish a movie was better while watching it. I don’t …
I Feel Pretty Movie Review: A promising premise and potential feminist message fall apart
Pre-release buzz can either be a fantastic thing — becoming a trending topic on Twitter and turning into all anyone can talk or think about for weeks …