With its vibrancy, immaculate costuming, and handsome set design, Olivia Wilde’s sophomoric directorial effort is certainly nice enough to look at. Un…
Movie Reviews
‘Medusa’ review: Anita Rocha da Silveira highlights repressed rage in stylish, vibrant film
At one point in Anita Rocha da Silveira’s Medusa, a girl mentions that women whose names started with the letter M tended to be malicious in char…
‘Orphan: First Kill’ review: A clever and satisfactory prequel to a divisive horror film
In the entertainment industry, sequels and prequels are typically conceived to continue the hype of a franchise and keep interest up. Another rather i…
‘The Territory’ review: A fascinating exploration of the people at the frontlines in the fight for the future of the Amazon rainforest
By the end of 2021, the Brazilian Amazon rainforest experienced its highest rate of deforestation in 15 years. Recent data suggests that there are sig…
‘The Legend of Molly Johnson’ review: Leah Purcell delivers a captivating performance in revisionist Western
Leah Purcell is the writer, director, and star of The Legend of Molly Johnson, playing a woman who must protect herself and her children from the…
‘Beast’ review: Idris Elba battles lion in film prideful of B-movie thrills
In a world where studio blockbusters bend over backwards to try and craft cinematic universes, crack way too many jokes and push the boundaries of vis…
‘Bodies Bodies Bodies’ review: A new generation of slasher
The culmination of Gen Z and the digital age comes together in A24’s newest slasher whodunit, Bodies Bodies Bodies. Horror films aren’t afraid to poke…