Katie Bennett — with her delicate, endearing indie pop tunes under the Free Cake For Every Creature moniker — is almost unbelievably unassuming. The minimalist approach she brings to her music seems t…
Album Review: Jeff Rosenstock – “POST-”
Genre-bending singer-songwriter Jeff Rosenstock surprised his fans by releasing his unannounced third solo album, POST-, on New Year’s Day of this year, starting 2018 with a much-needed boost of adren…
Never Goin’ Back Movie Review: A daringly funny debut
It’s nothing new to see a coming-of-age picture wherein a couple of bright-eyed teens have dreams that far outstretch the confines of their dull, suburban lives. But as we are reminded time and time a…
Generation Wealth Movie Review: Lauren Greenfield has Created a Culmination of Her Career Thus Far
Over the past couple of decades, photo-essayist Lauren Greenfield (kids + money, The Queen of Versailles) has sought out lives filled with glamor and extravagance, striving to capture how our percepti…
Shock and Awe Movie Review: An Easily Digestible Bore
Shock and Awe exists exclusively to exploit a market for journalism movies whittled down into easily digestible, unchallenging chunks, à la James Vanderbilt’s 2015 clunker Truth. This heavy-handed pat…
Movie Review: Bleeding Steel
Even in a summer that finds clever documentaries over-performing at the box office and ambitious newcomers like Boots Riley and Ari Aster redefining the perception of a blockbuster’s artistic limitati…
Album Review: Let’s Eat Grandma – “I’m All Ears”
Ethereal art pop duo Let’s Eat Grandma (Norvician lifelong besties Rosa Walton and Jenny Hollingworth) quickly gained a following with their infectious and delightfully strange 2016 debut. I’m A…