As political times take a tumultuous turn, punk rises as an opposing force in the ensuing storm. With their previous album released just before the 2016 election, Sum 41 used the time since to focus o…
Album Review: BANKS – “III”
Jillian Rose Banks, more commonly referred to by her last name in all caps, fuses her voice with electronic production to deliver a beautiful and haunting album. Similar to Ellie Golding and The Weeke…
From the Record Crate: Sum 41 – “All Killer, No Filler” (2001)
In anticipation of Sum 41’s seventh studio album, Order In Decline, we decided to take a look through the record crate for the platinum album that launched them from obscurity to stardom. All Killer, …
Interview: Tim Pope, Director of The Cure – Anniversary 1978-2018 Live in Hyde Park London
Last July, The Cure celebrated the 40th anniversary of their debut with a concert at Hyde Park, London. The show was played to an audience of 65,000 and was captured on film by the band’s longti…
From the Record Crate: Florence + the Machine – “Lungs” (2009)
Florence and the Machine’s debut album Lungs is a celebration of where stories and songs originate from, between two lungs. While most of us take the air flowing through us for granted, Florence Welch…
Album Review: Willie Nelson – “Ride Me Back Home”
Age has not slowed Willie Nelson down. Ride Me Back Home is his sixty-ninth album released over sixty-three years of performing. His most recent album is a primarily made up of covers, a rerecording, …
Album Review: X Ambassadors – “Orion”
X Ambassadors had their work cut out for them after the success of their debut album. VHS reached platinum status with hits like “Renegades,” “Unsteady,” and “Jungle” to name a few. VHS was charged wi…