On their much-anticipated studio record debut, THE ALBUM (2020), K-pop royalty BLACKPINK continue their production…
Hip Hop Roundup: A Savage Land and a Boomin’ Metropolis
Project of the week: 21 Savage & Metro Boomin’ – Savage Mode II At one…
Album Review: Sylvan Esso craft subtle treasures on “Free Love”
On Amelia Meath and Nick Sandborn’s third album as Sylvan Esso, Free Love, the group pares…
From the Record Crate: Talking Heads – “Remain In Light” (1980)
The Talking Heads’ ear for new genre collages can be tracked from their first record,…
The Neighbourhood Reinvents Themselves on “Chip Chrome & The Mono-Tones”
Chip Chrome & The Mono-Tones sounds like its own band name, but in actuality, it…
From the Record Crate: Rilo Kiley – “Rilo Kiley” (2000)
Rilo Kiley, the Southern California indie-rock band that flourished through most of the 2000s, began…
Album Review: Machine Gun Kelly switches from hip-hop to pop-punk on “Tickets To My Downfall”
In my eyes, Machine Gun Kelly’s music has always felt non-essential. He’s clearly talented, but…
