It’s always funny to me how easy it is to draw parallels between two completely unrelated things or events. In the case of the Antlers and their newest endeavor, Green to Gold, it’s very r…
‘Flowers for Vases / Descansos’ review: Hayley Williams rides on the coattails of female indie stars
Over the past fifteen-or-so years, Hayley Williams has expressed an ability to push forward, be creative, and forge her own identity among the other members of Paramore. The group’s first few re…
‘Glowing in the Dark’ review: Django Django continue to destroy genres
The longer music develops, the more obsolete genre labels become, and Django Django’s newest release solidifies that fact. With a weird mesh of post-punk, psychedelia, and folk-rock—plus a few o…
Album review: MisterWives swings high on “SUPERBLOOM”
SUPERBLOOM is the most recent MisterWives album, and it packs just as hard a punch as anything they’ve ever made before, leaning on their classic sonic landscape and some new emotional territory…
Album Review: Sports Team Revives Their Rock and Indie Influences on “Deep Down Happy”
It’s no secret that historically, Britain has acted as the epicenter of everything in rock music. Almost anyone could spew endless examples of their influential projects; the Beatles, the Rolling Ston…
In Fabric Movie Review: A flawed yet fun Giallo flick
Just when we thought that that 2019 was done with “strange” films, A24 does as A24 does and throws a curveball in the form of In Fabric. Fans of Dario Argento and Mario Bava will rejoice …
Interview: Iconoclasts Developer Joakim Sandberg On Managing Life And The Dangers Of Devotion
Earlier this year, The Young Folks reviewed Iconoclasts for PS4 and PC; and we loved it. To borrow from that review, it’s an expertly crafted platforming adventure – with a deep story underneath…