South Korea has one of the fastest-growing and most sonically exciting Pop scenes in the world, so we have decided to bring you “The K-Pop Bulletin”, a column highlighting some of the hottest K-Pop si…
The K-Pop Bulletin: April 2018
South Korea has one of the fastest-growing and most sonically exciting Pop scenes in the world, so we have decided to bring you “The K-Pop Bulletin”, a column highlighting some of the hottest K-Pop si…
All the 2018 Eurovision Entries, Ranked from worst to best
I’ve been a big fan of the Eurovision Song Contest since the late 90’s; I got to experience, for instance, the historic language rule change that has allowed English to remain the hegemoni…
The K-Pop Bulletin: March 2018
South Korea has one of the fastest-growing and most sonically exciting Pop scenes in the world, so we have decided to bring you “The K-Pop Bulletin”, a column highlighting some of the hottest K-Pop si…
From The Record Crate: The Mothers of Invention – “We’re Only In It For The Money” (1968)
“Does Humor Belong in Music?” is one of those questions that, whatever your answer might be, it defines your entire worldview, especially the way you consume art, culture, and media. Frank…
The K-Pop Bulletin: February 2018
South Korea has one of the fastest-growing and most sonically exciting Pop scenes in the world, so we have decided to bring you “The K-Pop Bulletin”, a column highlighting some of the hottest K-Pop si…
Strange Hits: Focus – “Hocus Pocus” (1973)
Welcome to Strange Hits, a new column about songs you may forgot or simply not know hit the Top 40, acts whose very appearance in the charts is odd or intriguing, or just tracks that are too damn weir…