Seeing a movie called The Violent Heart, you might expect a 50s melodrama to be your awaiting pleasure, the type of time machine throwback romance with a title as profound as Lana Turner was glamorous…
‘Land’ Review: Like its main character, Robin Wright’s directorial debut just doesn’t really go anywhere
It’s never a good sign when the most interesting thing about a film festival drama is its novelty as a feature directorial debut from the person who also stars in it. For every Citizen Kane and …
‘Judas and the Black Messiah’ review: The definitive Black Panther movie has arrived
Hollywood’s relationship with the Black Panther Party is about as graceful and nuanced as the general public’s, and that’s certainly no accident. Though plenty of documentaries have …
Sundance 2021: ‘Searchers’ is looking for love in all the online places
In Pacho Velez’s new documentary, Searchers (formally The Browsers), a rotation of about 75 New Yorkers—including the director himself—are interviewed, examined, and observed as they use a swath…
Sundance 2021: ‘On the Count of Three’ takes aim at men’s mental health in unexpectedly funny ways
The opening moments of On the Count of Three couldn’t do a better job at sucking the audience into its dark, comedic presence. Two men face down one another with guns in an unexplained standoff,…
Sundance 2021: ‘Flee’ is a beautifully animated documentary about the traumas we can’t escape
What does the word “home” mean to you? Jonas Poher Rasmussen’s new documentary Flee—which was executive produced by Nikolaj Coster-Waldau and Riz Ahmed—isn’t just unique for it…
Sundance 2021: ‘Coda’ is a heartwarming, coming-of-age drama about listening without hearing
Coda kicks off this year’s Sundance Film Festival as one of its best openers in recent memory. An American remake of the 2014 French film, La Famille Bélier, Coda operates under the same premise…