It’s always funny to me how easy it is to draw parallels between two completely unrelated things or events. In the case of the Antlers and their newest endeavor, Green to Gold, it’s very r…
‘Flowers for Vases / Descansos’ review: Hayley Williams rides on the coattails of female indie stars
Over the past fifteen-or-so years, Hayley Williams has expressed an ability to push forward, be creative, and forge her own identity among the other members of Paramore. The group’s first few re…
‘Glowing in the Dark’ review: Django Django continue to destroy genres
The longer music develops, the more obsolete genre labels become, and Django Django’s newest release solidifies that fact. With a weird mesh of post-punk, psychedelia, and folk-rock—plus a few o…
Top 20 Pavement Songs
The ‘90s were the last true safe haven for standard rock music, giving birth to movements like grunge, post-rock, math-rock, and even the revival of pop-punk. The legendary names associated with each …
Album review: MisterWives swings high on “SUPERBLOOM”
SUPERBLOOM is the most recent MisterWives album, and it packs just as hard a punch as anything they’ve ever made before, leaning on their classic sonic landscape and some new emotional territory…
Album Review: Sports Team Revives Their Rock and Indie Influences on “Deep Down Happy”
It’s no secret that historically, Britain has acted as the epicenter of everything in rock music. Almost anyone could spew endless examples of their influential projects; the Beatles, the Rolling Ston…
Album Review: Cold War Kids – “New Age Norms 1”
New Age Norms 1 is at the cusp of being an EP with its cap at eight songs, but because it is part of a larger planned trilogy, the three releases fall into the album camp. Starting off with a bang bef…