‘For the first time’ review: Black Country, New Road’s debut full-length is thrilling, experimental

“Hype kills art.” It’s a statement that has become increasingly apparent in the age of online entertainment discourse. In the music world, even more so. An artist receives a slew of praise from press or fans, whether from a viral…

“OK Human” review: Weezer continues a streak of mediocrity on latest album

It’s honestly comical how unsubtle Weezer has become when thinking about their conceptual and stylistic reference points. Their career over the past three years has consisted of a surprisingly great Toto cover, an ode to Jay-Z scripture, an entire album…

“Nobody is Listening” review: ZAYN disappoints with uneven return

Zayn strives for a late-night bedroom R&B experience on his latest album Nobody is Listening. Each song is a slow jam meant to inspire lovemaking, but the result is monotone and repetitive. While Zayn can hit and hold long high…

‘Medicine at Midnight’ review: Foo Fighters’ failures continue but at least they’re not dull

For as legendary as the Foo Fighters are, outside of a few singled-out LPs, the group’s album-based consistency has been a disappointing affair—especially since 2011’s solid Wasting Light. Both Sonic Highways (2014) and Concrete and Gold (2017) are muddled-down attempts…

‘Nightmare Vacation’ review: Rico Nasty shows off all she knows on her LP debut

After a six-year musical career with zero full-length LP’s, Rico Nasty encapsulates the breadth of her experiences on her debut, Nightmare Vacation (2020), while reminding everyone of the patented, chaotic bad bitch she truly is. In a project that utilizes…

From the Record Crate: Flight of the Conchords – “Flight of the Conchords” (2008)

When most people think of novelty music, they think of “Weird Al” Yankovic; I’m mainly lookin’ at you, fellow elder-Gen Z types. I, too, was a member of the cohort of middle schoolers that learned the lyrics to “White and…

‘evermore’ review: Taylor Swift expands her emblematic songwriting

To me, Taylor Swift hasn’t improved as a songwriter. She’s merely evolved. Her pivot to folk and piano-laden ballads doesn’t signal some attempt at “high-brow art.” The recent change-of-pace is simply another chapter for one of the biggest singer-songwriters in…