The pop landscape has changed dramatically since Swedish pop-star Robyn put out her album, Body Talk, in 2010. Styles have come and gone, careers have been born, and the sound has shifted numerous tim…
Album Review: Logic – “YSIV”
With 2017’s Everbody, Maryland rapper Logic was quickly elevated from mere rapper to pop-star status with his chart-topping radio single “1-800-273-8255”. A song that was the introdu…
Album Review: Marissa Nadler – “For My Crimes”
For My Crimes is the latest album from Sacred Bones’ own Marissa Nadler. Crimes is the follow-up to her excellent 2016 release Strangers, which received critical acclaim from both critics and fa…
Album Review: Troye Sivan – Bloom
Australia’s own Troye Sivan is one of those artists that can fly under the radar of your typical pop fan. He doesn’t have the catalog of hits that mega-stars like Taylor Swift or Ariana Gr…
Album Review: Blood Orange – Negro Swan
Whereas 2016’s Freetown Sound was a record that dove into themes of sex, race, and politics, Negro Swan, the latest release from Dev Hynes’ solo project Blood Orange, tries for an intimate…
Album Review: Animal Collective – Tangerine Reef
To celebrate the 2018 International Year of the Reef, in conjunction with the Miami-based art/science duo Coral Morphologic, Animal Collective decided to make an audiovisual experience all about coral…
Album Review: Laurel Halo – “Raw Silk Uncut Wood”
On her new mini album for French indie label Latency, American producer Laurel Halo has altered her sound once again, from the blissful and euphoric moments from her 2017 record, Dust, to sounds that …