Based on Garrard Conley’s memoir Boy Erased: A Memoir, writer director and Joel Edgerton does fine work in adapting from the source material a story of familial and internal strife that intrinsi…
‘Widows’ Review: Viola Davis Shines in this Reinvigorating Take on the Heist Thriller | TIFF 2018
Viola Davis continues to perform on a level all her own in Steve McQueen’s taut and thrilling Widows. A socio-political heart pounding heist, McQueen demonstrates his impressive versatility with…
‘A Star is Born’ Review: This Musically Inclined Romance is Uneven but Undoubtedly Evocative| TIFF 2018
A Star is Born,as the fourth iteration of this story, needed to breathe new life into an old story, an idea that the film even references when talking about the familiar and repetitive nature of music…
‘Beautiful Boy’ Review: Timothée Chalamet Astonishes in Painful, Messy and True Story About Addiction | TIFF 2018
Early in Felix Van Groeningen’s Beautiful Boy, based on the best selling novels by David and Nic Sheff, David (Steve Carrell) is told that relapse is to be expected in addiction recovery –…
The 100 Season 5 Review: Through Hell You’ll Find Greener Pastures
To both its detriment and success, The 100 has been unwavering in its depiction of the cyclically destructive nature of humankind. As Bellamy empathetically stated to Madi, so ready to slaughter a cre…
Finding Her Voice: Animation [Podcast]
Hello and welcome to TYF’s newest podcast series, Finding Her Voice. Joined by editor in chief Gabrielle Bondi and film and television writer AJ Caulfield, we’ve come together to highlight…
The Best Films of 2018 So Far
Each year it seems that someone will make the decidedly naive comment about how “it’s been a bad year for films” and every year countless others will have their “well, actually…