With its vibrancy, immaculate costuming, and handsome set design, Olivia Wilde’s sophomoric directorial effort is certainly nice enough to look at. Unfortunately, that’s where it ends. Despite a clear…
‘Decide’ review: Djo delivers an eclectic and playful sophomore effort
Written and produced alongside Adam Thein, actor and musician Joe Keery returns for his second album under the pseudonym Djo with the impressively eclectic Decide. Showcasing a natural growth and prog…
‘She-Hulk: Attorney At Law’ misses the mark
I’m still watching She-Hulk and no one can convince me Marvel still gives a shit. She-Hulk has not—Tatiana Maslany twerking with real Megan Thee Stallion, and I can only feel ashamed and partially res…
The 10 must-watch anime of fall 2022
After a summer season that failed to blow minds in terms of sheer output, the fall anime lineup is all but overwhelming with both returning favorites and new, exciting debuts. Highly anticipated serie…
‘Childhood’ review: K-Pop group Lucy shines bright with first full length album
Against their contemporaries, the K-Pop band Lucy is something of an outlier, even as their star continues its patient ascent. Since their debut two years ago, the four pierce unit has distinguished t…
Masaaki Yuasa Interview: ‘Inu-Oh’ filmmaker discusses the draw to the story and utilizing music in animation
Masaaki Yuasa is one of the best directors working in animation today. With his energized and free-spirited approach to directing, with animation that tilts the form on its side and dares others to be…
‘Inu-Oh’ review: Masaaki Yuasa delivers a dizzying, animated, rock-opera
With infectious animation and visual vibrancy, Masaaki Yuasa once again proves himself a master of his craft in Inu-Oh. Based on the novel Tales of the Heike: INU-OH by Hideo Furukawa, Yuasa casts his…