Karyn Kusama, a formidable master of atmosphere, is no stranger to warring tones. Jennifer’s Body married comedy, scares and a before its time message of a teen girls ability to weaponize her se…
TYF’s 20 Best Films of 2018
Every year when we get to this point there’s a mixture of dread and excitement concerning the compiling of this list [and I’m sure my fellow editors would agree]. On the one hand, it’…
Widows Review: Viola Davis Shines in this Reinvigorating Take on the Heist Thriller
Viola Davis continues to perform on a level all her own in Steve McQueen’s taut and thrilling Widows. A socio-political heart pounding heist, McQueen demonstrates his impressive versatility with…
Finding Her Voice: The Love Witch [Podcast]
Hello and welcome to TYF’s newest podcast series, Finding Her Voice. Joined by editor in chief Gabrielle Bondi and film and television writer AJ Caulfield, we’ve come together to highlight…
Boy Erased Movie Review: A Strong Ensemble Stabilizes Joel Edgerton’s Adaptation
Based on Garrard Conley’s memoir Boy Erased: A Memoir, writer director and Joel Edgerton does fine work in adapting from the source material a story of familial and internal strife that intrinsi…
Burning Movie Review: Lee Chang-dong’s Newest Masterpiece is Haunting and Magnificent
How complacent are we in our inability to retain memory in the fashion in which it is materialized? How complicit are we when inability to see past our own desires, our own justifications and belief s…
‘Beautiful Boy’ Review: Timothée Chalamet Astonishes in Painful, Messy and True Story About Addiction
Early in Felix Van Groeningen’s Beautiful Boy, based on the best selling novels by David and Nic Sheff, David (Steve Carrell) is told that relapse is to be expected in addiction recovery –…