Allyson Johnson

Editor-in-Chief

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Allyson is a New England based writer, who has been a film critic since 2012. She is a member of the Boston Society of Film Critics, the Boston Online Film Critics Association, and the Online Film Critics Society, along with being a Tomatometer approved critic on Rotten Tomatoes. Her writing can also be found at CambridgeDay.com, ThePlaylist.net, VagueVisages.com, RogerEbert.com, TheMarySue.com and elsewhere.

‘Ted Lasso’ Season two review: The Apple TV+ comedy starring Jason Sudeikis returns with greater emotional resonance

The first eight episodes of “Ted Lasso” season two were screened for this review. Season one of Apple TV+’s Ted Lasso wasn’t so much a surprise hit as it was a particularly well timed one. Premiering in the middle of…

‘Gunpowder Milkshake’ review: Karen Gillan can’t save this convoluted and confused story

A classic case of trying to do it all and accomplishing very little, Gunpowder Milkshake is a missed opportunity for all involved. Despite an aesthetic that is very clearly bellowing at viewers to please notice how original it is, the…

‘Black Widow’ review: A vacant and thankless farewell to Scarlett Johansson’s Avenger

Operating as a disingenuous farewell to a character who’s been continuously shafted in the films she’s co-starred in, as well as a much more interesting look at who will be her replacement in the MCU, Black Widow works as long…

‘Bo Burnham: Inside’ review: The comedian delivers an uncompromisingly honest look at life in isolation

Stylized, chaotic, and frayed with the energy of a creative type sheltered in isolation, Bo Burnham: Inside is both uncomfortable and mildly voyeuristic as well as deeply cathartic. After taking a break five years ago due to debilitating anxiety, comedian…

‘Shiva Baby’ review: A hilarious and heartfelt coming-of-age story

There’s an intense amount of anxiety that comes along with any type of large family function, from holidays to birthdays or even funerals—I myself tend to break out in hives. That heightened anxiety is caught with clarity and humor in…

SXSW 2021 review: ‘Alone Together’ shines a light on Charli XCX’s creative process

At the start of quarantine many of us (myself included) held ourselves to an impossible standard of productivity. There was this shared understanding that if we were to have all of this newfound time spent at home and away from…

SXSW 2021 review: ‘Recovery’ looks for humor in lockdown

Enjoyment of Recovery, directed by Mallory Everton and Stephen Meek, is going to hinge on two major factors. The first is the ability to stomach a comedy that mines laughs from the pandemic; with this being the bigger hurdle to…