A shroud of mystery coats the ethereal minimalist music of serpentwithfeet. As that stage name suggests, the Brooklyn-based singer-songwriter (born Josiah Wise) frequently fixates upon the cosmic, the…
‘Collapsed in Sunbeams’ review: Arlo Parks exudes kindness and warmth on rich, dazzling debut
In case you weren’t aware. we’re living in stressful times, and a lot of people are justifiably upset about it. The planet’s been swept by a pandemic, drastic climate change, and any number of deadly …
‘So Far No Further’ review: Sweet Soul struggle to find a voice on debut LP
To promote their debut full-length So Far No Further, Sweet Soul created a playlist that currently resides on the SoCal quintet’s Spotify profile. It’s a self-proclaimed “soundtrack” that chronicles t…
‘Oh! Pardon tu dormais…’ review: Jane Birkin’s stunning odyssey through love and loss
In 1988, filmmaker Agnès Varda created a lovely, freewheeling docudrama called Jane B. par Agnès V. in honor of friend and collaborator Jane Birkin’s 40th birthday. There’s a mom…
Album Review: Purple Mountains – “Purple Mountains”
David Berman knew a thing or two about weaving lyrical beauty from the frayed threads of heartbreak. As the founder and driving force behind New York indie-folk outfit Silver Jews, the haggard-looking…
Album Review: King Gizzard and the Lizard Wizard—”Infest the Rats’ Nest”
Stasis has never been in King Gizzard & the Lizard Wizard’s playbook. Since their formation in 2010, the shapeshifting Aussie garage-psych collective have made a point of constantly testing the li…
From the Record Crate – R.E.M. – “Out of Time” (1991)
When an independent artist signs onto a major label, it’s inevitable that the change won’t please everyone. There are sure to be dissenting fans who have claimed ownership over the artist and decry th…