Legs, three times. Shoulder. Head. Teeth. Nose. These are the parts stuntwoman-turned-stunt coordinator Melissa Stubbs recalled she had broken throughout her career. Of course, in a documentary titled…
‘Antebellum’ review: A butterfly too hollow for urgent race discussions
Time to expand the Wikipedia entry of “Antebellum (film).” A 2020 American horror film, yes, and a title that is a contraction of “an anti-oppression story told with a lot of bells and little acuity t…
Summerland Movie Review: An Offering of Hope and Beauty
In times when there’s no knowing if that van over there is civilian owned or federally rented and demonic “relations” is how one contracts COVID-19, whoever chooses to totally disconnect from society …
‘The Gentlemen’ Movie Review: Guy Ritchie’s re-snatch rocks the suits and deserves better rolls
Upon exiting Aladdin, the need to issue an APB for the Hatfield filmmaker, who we used to know, was immediate and intense. No whole new world was seen, and in its stead was a walled dead-end to stop R…
The Grudge Movie Review: Awkward genre entry and weak brand exercise
The ochre tint that brings the grime. Gore seems galore. R from the MPAA. The “R” in the title is reddened. What a campaign to prove that everything will crumble in the face of Takashi Shimizu’s (two …
The Aeronauts Movie Review: Jaw-dropping mid-air flourishes keep the bumpy balloon together
“My, my, is the octane in this flight high or what?” is a question raised often throughout this at-altitude Felicity Jones—Eddie Redmayne reunion, not as husband-and-wife but as pilot-and-passenger (s…
Mickey and the Bear Movie Review: A familial strife that touches and brims with realness
A bevy of animals reside in Annabelle Attanasio’s debut feature. Anaconda, Montana is the setting. The high school’s sports team has a copperhead in its logo. Some dedicated close-ups of taxiderm…