In the opening moments of The Mustang, we observe a group of wild horses resting…
Review
‘Velvet Buzzsaw’ Review: You’re Probably Not Ready for Dan Gilroy’s Arthouse Horror | Sundance 2019
The relationship between critic and art is one fraught with dangers of compromise, hypocrisy, and…
‘The Report’ Review: Slow Start Turns To Thrilling Investigation Of CIA’s torture program | Sundance 2019
Adam Driver spends a lot of time yelling at people in government buildings during The Report.…
‘The Tomorrow Man’ Review: John Lithgow and Blythe Danner Are An Irresistible Odd Couple | Sundance 2019
It’s no exaggeration to insist that John Lithgow is one of the finest actors of…
‘The Brink’ Review: Steve Bannon Gets a Reckoning of His Own Making | Sundance 2019
For one year, director Alison Klayman (whose last Sundance film was the wonderful 2012 documentary…
‘I Am Mother’ Review: Cool sci-fi apocalyptic world building can’t save shallow story | Sundance 2019
I Am Mother has some really cool apocalyptic sci-fi imagery that aids its incredible world-building.…
