There’s all different types of love in Love and Monsters. Romantic love drives Joel’s (Dylan O’Brien) quest across a monster-infested surface for seven days, but in the end, the love…
‘Supernatural’ 15×15 review: “Gimme Shelter” explores faith without God
With just five episodes left in its final season, Supernatural is giving space for some valid discussions on religion. When your main villain is God, it’s a no brainer. Even though the concept o…
‘Supernatural’ 15×14 review: “Last Holiday” is a sweet beginning of the end
Well, here we are at the final seven-episode stretch of Supernatural. It’s been quite a journey and, after a brief COVID-19-related hiatus, the beginning of the end started with a bottle episode. “Las…
‘Enola Holmes’ review: Netflix’s charming addition to a new Sherlock Holmes canon
Enola Holmes is the joy we needed from 2020. Watching the trailer, it seemed like we were getting a lighthearted version of a Sherlock Holmes detective story; instead the film lands in charming waters…
The Boys 2×05 Review: Celebrity, the Media, and Reality Converge in “We Gotta Go Now”
After dropping the first three episodes of season two at once a couple of weeks ago, The Boys is on a weekly schedule at Amazon Prime, a format that has some folks of the fandom up in arms. For me, th…
The Boys 2×04 Review: “Nothing Like It in the World” shows the importance of our similarities
“Nothing Like It in the World,” The Boys’ fourth episode of season two, takes time for some small human connections that are a welcome reprieve from the action of the past few episodes. A quick sing-a…
The Rental Movie Review: Dave Franco delivers a decent enough horror thriller
The Rental, Dave Franco’s directorial debut, offers some entertaining horror value in certain respects, but suffers from a lack of meaningful and interesting characters to round out the horror scenari…