‘Butterfly 3000’ review: King Gizzard’s synthetic journey shows hints of STRFKR

King Gizzard’s musical approach has garnered much praise and many fans throughout the past decade. Releasing a whopping eighteen studio albums since 2012, the group is never done creating and experimenting, resulting in an endless discography worthy of thirty years…

Album review: Grey Fields Drop Lucent ‘Vesna’

Simultaneously translucent and alluring, Vesna bestows graceful successions of opulent, yet moody prog-rock capped by pensive vocals.

‘Nowhere Generation’ review: Rise Against revive their era of rock, the right way

Few punk rock bands have stood the test of time and aged gracefully, but the struggle to maintain relevant and creative almost comes with the gig itself. Initially, they identify with their disenfranchised peers, but as their generation ages, members…

‘Cavalcade’ review: Black Midi create a hellscape that’s eerily familiar

Rather than place their fingers on the pulse of rock music, Black Midi have decided to grab some defibrillators, and shock the living hell out of it. Since their first bout of singles leading up to 2019’s Schlagenheim, the UK-based…

‘Peace or Love’ review: Kings of Convenience present simple beauty on new album

Peace or Love is a very pure album. It is a record of simplicities, subtleties and pure joy. And it is truly a wonderful thing to have a record that exudes happiness more than anything.

Album review: Sleater-Kinney – ‘Path of Wellness’

Keith Richards once said: “There couldn’t be a Rolling Stones without Charlie Watts.” The implication being that Watts’ drumming is so crucial to The Rolling Stones’ sound, everything else would disintegrate if you were to remove him from the equation.…

‘Jordi’ review: Maroon 5 find new ways to disappoint

Contrary to what Levine says here, Jordi just doesn’t feel like a musical challenge. It doesn’t feel like great music that will stand the test of time. It feels like an album that is riding in the slipstream of what is popular right now.