In the dizzying and beguiling Spencer from director Pablo Larraín, there’s a running commentary on how frosty the Sandringham House is. For all its acquired decadence and displays of excess, it’s chil…
‘Happiest Season’ review: A heartwarming LGBTQ romcom for straight people
Packed to the brim with wall-to-wall jokes and witty one-liners, a heartfelt premise and performances bursting with chemistry, the Clea Duvall directed Happiest Season is a welcome addition to th…
Underwater Review: Kristen Stewart brings life to aquatic horror
There’s a moment in Underwater where the crew of a deep sea drilling expedition seven miles below sea level have just discovered a dead body on the platforms linking the massive drilling station…
Charlie’s Angels Movie Review: Feminist action heroines fly, but don’t soar
Charlie’s Angels doesn’t just have a feminist legacy, but a very specific type, or shall we say, brand. One that unapologetically places just as much emphasis on its female characters̵…
JT LeRoy Movie Review: A cut-and-dry approach to a stranger-than-fiction story
We’ve all been told that there are at least two sides to any story, but the intent of JT LeRoy isn’t to elaborate on he-said-she-said details, but to explore the complexity behind why these two artist…
Sundance 2018 Review: Lizzie
Everyone knows one thing about Lizzie Borden: she brutally murdered her parents with an ax. And while it may not have been 40 whacks, but it was enough to make her parents look unrecognizable. While m…
Sundance 2018: The films we’re excited for
Another year, another Sundance and, as always, it’s crazy to think that as we’re nearing the final stages of this past years awards run, we’re technically kicking into gear with the …