Women are taking 2019 by storm, both behind and in front of the camera. Aquakwina expanded her dramatic range in Lulu Wang’s The Farewell; Kaitlyn Denver and Beanie Feldstein busted their comedic chop…
New York Asian Film Festival 2019: A Main Slate Retrospective
With the coming of mid-July comes the ending of the New York Asian Film Festival. Now in its 18th year, this annual collection of films remains one of the only places in New York City where audiences …
The Film Canon: Hitchcock the Paranoiac Meets Highsmith the Misanthrope in Strangers on a Train (1951)
When Patricia Highsmith left the theater after seeing Alfred Hitchcock’s adaptation of her debut novel Strangers on a Train, several thoughts flew through her mind, the only reportedly positive one be…
Then Came You Review: A Surprisingly Charming and Sweet Palate Cleanser
I find it important sometimes to walk into the viewing of a film, in this case my living room, almost completely blind. For big budget affairs I know it is hard, nigh, nearly impossible to accomplish …
Destroyer Movie Review: Director Karyn Kusama can’t save an unfocused script
Karyn Kusama, a formidable master of atmosphere, is no stranger to warring tones. Jennifer’s Body married comedy, scares and a before its time message of a teen girls ability to weaponize her se…
TYF’s 20 Best Films of 2018
Every year when we get to this point there’s a mixture of dread and excitement concerning the compiling of this list [and I’m sure my fellow editors would agree]. On the one hand, it’…
Welcome to Marwen Movie Review: An embarrassing disaster all around
Who was the Hollywood screenwriter, producer, or bigwig who saw Jeff Malmberg’s Marwencol (2010)—a bruising, heart-breaking film about trauma —and thought yes, this will make a perfect dramedic fantas…