For all of his musical talent and professionalism, it’s hard to take Thundercat seriously. From his pink noodle braids to the stoner-chic of his hoodie/shorts combo to his iconic oversized bass to son…
The Way Back Movie Review: Ben Affleck bares his soul in basketball drama
For better or worse, Ben Affleck is a very famous movie star. He’s been a very famous movie star for over 20 years and has checked all the boxes a very famous movie star’s life includes: starred in bl…
Album Review: Superstars BTS present a mature sound in the introspective Map of the Soul: 7
If their melancholy and largely triumphant Map of the Soul: 7 is anything to go by, carrying the burden of a pioneer style of fame rests uneasily on the shoulders of mega-stars BTS. Comprised of membe…
Herself Review: Clare Dunne unlocks the power of the human spirit in Phyllida Lloyd’s remarkable return to the big screen | Sundance 2020
Sometimes, you can just tell that the leading actor of a film was deeply involved in the creative process, and that is certainly the case for Clare Dunne, who co-wrote and stars in Herself, a new…
The Rhythm Section Movie Review: Blake Lively bores in Bourne knockoff
This one did itself in barely halfway through its runtime. Cantankerous hermit Jude Law dares a haggered Blake Lively to either keep running with him or go swimming to build up her endurance. When Liv…
Sylvie’s Love Review: Tessa Thompson and Nnamdi Asomugha lay on the charm in this extraordinary classical romance | Sundance 2020
The most obvious takeaway from the first beat of Sylvie’s Love—a lavishly directed new period romance from Eugene Ashe, who also wrote the screenplay—is that for his second feature, Ashe clearly …
Kajillionaire Review: Life is what you steal for it in Miranda July’s newest indie wonderwork | Sundance 2020
Between Shoplifters and Parasite, new movies about “scamilies” (that’s my new term for “scam artist families,” don’t wear it out), continue to provoke fascinating ideas about class warf…