There’s a lot to unpack in Quinn Shephard’s Not Okay, her follow-up to her debut film, the 2017 high school drama Blame. Channeling the energy of a writer possessed with the deserved, righteous anger …
‘The Handmaid’s Tale’ 4×05 Review: “Chicago” gives way to sisterly bonds
Having made their journey to Chicago in last week’s episode, “Chicago,” the fifth episode of The Handmaid’s Tale season 4, starts with June (Elisabeth Moss) reminiscing on past romantic and inti…
Album Review: Thundercat offers laid-back funk on “It Is What It Is”
For all of his musical talent and professionalism, it’s hard to take Thundercat seriously. From his pink noodle braids to the stoner-chic of his hoodie/shorts combo to his iconic oversized bass to son…
The Way Back Movie Review: Ben Affleck bares his soul in basketball drama
For better or worse, Ben Affleck is a very famous movie star. He’s been a very famous movie star for over 20 years and has checked all the boxes a very famous movie star’s life includes: starred in bl…
Album Review: Superstars BTS present a mature sound in the introspective Map of the Soul: 7
If their melancholy and largely triumphant Map of the Soul: 7 is anything to go by, carrying the burden of a pioneer style of fame rests uneasily on the shoulders of mega-stars BTS. Comprised of membe…
Herself Review: Clare Dunne unlocks the power of the human spirit in Phyllida Lloyd’s remarkable return to the big screen | Sundance 2020
Sometimes, you can just tell that the leading actor of a film was deeply involved in the creative process, and that is certainly the case for Clare Dunne, who co-wrote and stars in Herself, a new…
The Rhythm Section Movie Review: Blake Lively bores in Bourne knockoff
This one did itself in barely halfway through its runtime. Cantankerous hermit Jude Law dares a haggered Blake Lively to either keep running with him or go swimming to build up her endurance. When Liv…