Sometimes, you can just tell that the leading actor of a film was deeply involved in the creative process, and that is certainly the case for Clare Dunne, who co-wrote and stars in Herself, a new…
The Rhythm Section Movie Review: Blake Lively bores in Bourne knockoff
This one did itself in barely halfway through its runtime. Cantankerous hermit Jude Law dares a haggered Blake Lively to either keep running with him or go swimming to build up her endurance. When Liv…
Sylvie’s Love Review: Tessa Thompson and Nnamdi Asomugha lay on the charm in this extraordinary classical romance | Sundance 2020
The most obvious takeaway from the first beat of Sylvie’s Love—a lavishly directed new period romance from Eugene Ashe, who also wrote the screenplay—is that for his second feature, Ashe clearly …
Kajillionaire Review: Life is what you steal for it in Miranda July’s newest indie wonderwork | Sundance 2020
Between Shoplifters and Parasite, new movies about “scamilies” (that’s my new term for “scam artist families,” don’t wear it out), continue to provoke fascinating ideas about class warf…
Palm Springs Review: Andy Samberg and Cristin Milioti are a dream team in this summer dose of love, humor, and other surprises | Sundance 2020
These days, it’s not enough for a funny movie to be funny. To find mainstream success at the box office, a comedy has to either be an event movie, or so funny it becomes one. Which brings us to The Lo…
Album Review: Mac Miller – “Circles”
Mac Miller was almost there. The Pittsburgh rapper had long left behind the days of his goofy mixtapes and stoner bro persona, mixing his passions for rock and R&B into his increasingly-layered mu…
The Assistant Review: A timely examination of manipulation and complicity | Sundance 2020
It’s not an exaggeration to say that Hollywood has found only middling success at best when it comes to reckoning with the MeToo movement, perhaps in part because audiences have to weigh the obvious i…