In a world where studio blockbusters bend over backwards to try and craft cinematic universes,…
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Why you should be listening to Brett Goldstein’s podcast ‘Film’s to be Buried With’
Calling all film lovers who, like me, have recently not had enough time to invest…
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‘Bodies Bodies Bodies’ review: A new generation of slasher
The culmination of Gen Z and the digital age comes together in A24’s newest slasher…
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‘Emily the Criminal’ review: A smart and tightly woven crime thriller starring Aubrey Plaza
In Emily the Criminal, first-time writer/director John Patton Ford makes simultaneously crafting a tense thriller…
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‘Summering’ review: A half-baked and muddled misfire for James Ponsoldt
Promising on paper, Summering is a frustrating film on almost every level. I went in with high…
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‘Inu-Oh’ review: Masaaki Yuasa delivers a dizzying, animated, rock-opera
With infectious animation and visual vibrancy, Masaaki Yuasa once again proves himself a master of…
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‘Prey’ review : Expect the unexpected
The Predator franchise may not have as large a following as other sci-fi sagas out…