Marlina the Murderer in Four Acts is at first glance a convergence of cinematic influences. Set in a rural Indonesian town, the story follows the rece…
‘Raya and the Last Dragon’ review: A vibrant and powerful coming of age story
In Disney’s long history of iconic heroes, only a handful of princesses (and female characters in general) have exhibited agency and even fewer who ha…
‘The Father’ review: A career best for Anthony Hopkins
Dementia has become an increasingly popular topic to tackle in film, particularly in 2020. At least six films last year featured the subject across mu…
‘Chaos Walking’ review: It is, or is still, disaster unfolding
Still have room for earth-shattering news in your being? Here’s one more to register: Chaos Walking is upon us. Really, this time. Really. And yet, af…
‘Boogie’ review: Eddie Huang’s feature debut examines Asian experiences in America
Love, Basketball, and Boogie. Boogie is Eddie Huang’s isolation play against mainstream Hollywood—an offensive one-on-one strategy that pits his first…
‘Billie Eilish: The World’s a Little Blurry’ review: Singer lays her life bare
“You guys need to be f***in’ ok, because y’all are the reason that I’m ok.” That’s Billie Eilish in 2018 during a show in Salt Lake City, Utah moments…
‘The United States vs. Billie Holiday’ review: Not even Andra Day can save this biopic from being flat
There’s probably a brilliant movie hiding somewhere in The United States vs. Billie Holiday, a new biopic on Hulu that dives into the tragic, tu…