Disney’s Artemis Fowl was never intended to be a standalone feature, but by the end credits, you’ll likely hope this is the last we see of…
Tommaso Review: Willem Dafoe and Abel Ferrara Reunite in this Scathing Allegory about Masculine Insecurity
What does it mean to suffer for your art? For storied director Abel Ferrara, it’s to (perhaps once again) make a film so autobiographical, it can’t he…
The King of Staten Island Review: Judd Apatow drags out Pete Davidson’s leading man debut
The opening scene of The King of Staten Island is not only the highlight of Judd Apatow’s latest act of indulgence, but also hints at something that t…
Jake Horowitz on making an authentic ‘B’ sci-fi film with “The Vast of Night”
One of the best films from last year’s festival circuit just hit Amazon Prime today. The Vast of Night, directed by Andrew Patterson, takes you …
The Lovebirds Review: Kumail Nanjiani and Issa Rae are a Match Made in Netflix
Pay close attention during the early moments of The Lovebirds and you’ll probably be able to outline the emotional undercurrent of this new acti…
Capone Review: An Extremely Flawed and Grotesque Gangster Biopic
About 20 minutes into Capone, the newest film from Chronicle and Fantastic Four director Josh Trank, we see an aging Alphonse Capone (Tom Hardy) sitti…
Scoob! Review: This Update of the Mystery Gang Tries Balancing Way Too Much on One Plate
Despite seemingly countless iterations and nearly 50 years of cultural credibility, there’s the prevailing sense that audiences are still hungry…