‘9th & Walnut’ is everything we expect from the Descendents: quick, short, and to the point. And though it’s void of any nuance…
‘Happier Than Ever’ review: Billie Eilish’s second album is autobiographical and enigmatic
The second album from growing star Billie Eilish, ‘Happier Than Ever,’ is both autobiographical and enigmatic.…
‘Sling’ review: Clairo digs deep
Simultaneously opulent and warm, and featuring production from Jack Antonoff, ‘Sling’ is a placid walk around the lake with a more mature,…
Album review: James Raftery – ‘Tornado’
Lying somewhere between a religious revelation and romantic sonnets, ‘Tornado’ delivers tantalizing wisps of sonic beauty, soothing and la…
Album Review: Hunters Chorus – ‘The Boy Ain’t Right’
Bay Area-based instrumental indie-folk outfit Hunters Chorus recently released their sophomore album, The Boy Ain’t Right. Recorded, mixed, and master…
‘Hideaway’ review: Wavves bring back their classic surf punk… for three songs
During the indie explosion of the early 2010s, Wavves’ pop-punky King of the Beach granted the band some growing attention. After their harsh—an…
‘CALL ME IF YOU GET LOST’ REVIEW: Tyler’s latest is a sun-soaked late era opus
In the mid-2000s, DJ Drama became one of the most sought after mixtape DJs in America. Drama, real name Tyree Cinque Simmons, formed the legendary Gan…