Big K.R.I.T. is getting some traction, and this fourth album from the Mississippi rapper has attained some measure of commercial success. Promoted by …
Album Review: BANKS – “III”
Jillian Rose Banks, more commonly referred to by her last name in all caps, fuses her voice with electronic production to deliver a beautiful and haun…
Album Review: Drab Majesty – “Modern Mirror”
Every couple of years are so, the ever-changing litmus test music fans construct to determine who has “cool” taste gets a makeover, redesigning which …
Album Review: Ed Sheeran: No.6 Collaborations Project
After years of writing delicate pop tunes, Ed Sheeran just wants to have fun. Gone are the days of making mathematical symbols as album titles (althou…
Album Review: Jesca Hoop – “Stonechild”
Jesca Hoop has returned once again with an album consisting of evocative, subtly haunting and deeply empathetic songs, each delivered in her crystal c…
Album Review: Bill Callahan – “Shepherd in a Sheepskin Vest”
Since settling down with his wife and becoming a father, longtime champion of lo-fi folk rock Bill Callahan sees the world through new eyes, and it ha…
Album Review: Julia Jacklin – “Crushing”
With her 2019 release, Crushing, Australian singer-songwriter Julia Jacklin has created a simply beautiful, remarkably succinct album exploring everyd…