YG’s greatest attribute as a pure artist is his innate ability to be forthright with his listeners without ever coming off trite. He makes super…
Album Review: Jónsi’s Atmospheric Ambiance Soars on “Shiver”
Jónsi produces electronically infused music meant for the arthouse. It has been ten years since the Sigur Rós singer’s last solo album, and sinc…
Album Review: BLACKPINK reach their highest highs and lowest lows on “THE ALBUM”
On their much-anticipated studio record debut, THE ALBUM (2020), K-pop royalty BLACKPINK continue their production of high-octane singles alongside ma…
Album Review: Sylvan Esso craft subtle treasures on “Free Love”
On Amelia Meath and Nick Sandborn’s third album as Sylvan Esso, Free Love, the group pares down their sound even further while expanding their em…
The Neighbourhood Reinvents Themselves on “Chip Chrome & The Mono-Tones”
Chip Chrome & The Mono-Tones sounds like its own band name, but in actuality, it is the latest album by The Neighbourhood. After topping the chart…
Album Review: Machine Gun Kelly switches from hip-hop to pop-punk on “Tickets To My Downfall”
In my eyes, Machine Gun Kelly’s music has always felt non-essential. He’s clearly talented, but his inability to find a niche as a mainstr…
Album Review: San Cisco are charming and playful on “Between You and Me”
On the cover of Between You and Me, the members of San Cisco pose theatrically, their gazes pointed skyward toward an all-seeing camera. Their present…