One thing Sigrid is going to do is going to deliver a killer hook. While many in her shoes would simply be satisfied with becoming yet another teen pop sensation with no substance to their music, she …
‘Tell Me That It’s Over’ review: Wallows have legs firmly planted on the indie-pop ground
Wallows have got the indie-rock game locked down. But their new album, Tell Me When It’s Over, explores experimentation one only hopes they dived into further.…
‘Crash’ review : The latest from Charli XCX fails to live up to her best
Pop-singer Charli XCX has had an eclectic and genre-shifting career since her debut with the 2013 album True Romance. With an arsenal of guest musicians over almost a decade, from BTS and Lizzo to SOP…
‘The Jacket’ review: Widowspeak create a dreamy safe space to shelter inside
Six albums in, Widowspeak release a remarkable shoegaze-sounding album, chock full of sweet metaphors and honest heartbreak.…
‘Love Sux’ Review: Avril Lavigne time wraps to the early noughties pop-punk fever dream
With the beginning the current pop-punk revival we are in, Avril Lavigne is back with Love Sux, the ferocious new offering from the singer drawn from early noughties nostalgia reflected through a mode…
‘Time Skiffs’ review: Animal Collective conveys a story that yet has to find its ending
If you want to feel old, keep in mind that Animal Collective is coming near their third decade together as a band. And six years later (almost to the day), they have finally returned with a completely…
Album Review: Black Country, New Road reinvents itself in ‘Ants From Up There’
Just over a year ago, Black Country, New Road released its debut album For the first time, which featured singles like “Athens, France” and “Sunglasses,” and experimented with post-punk, free jazz, ma…