Early in Miss Americana, a new Netflix documentary from director Lana Wilson (The Departure), ascendent pop star and newly-minted political activist Taylor Swift comments on how her fans tend to …
Miracle Workers Review: Steve Buscemi and Co. Introduce “Existential Doom” to Heaven
Miracle Workers gives us a heaven that is run like a factory, with the majority of angels in the role of office drones and low-level factory workers. Most of them have been there for thousands of year…
‘The Report’ Review: Slow Start Turns To Thrilling Investigation Of CIA’s torture program | Sundance 2019
Adam Driver spends a lot of time yelling at people in government buildings during The Report. And yet, this dry, simplistic approach to a film based on true events is a great political thriller that d…
‘The Brink’ Review: Steve Bannon Gets a Reckoning of His Own Making | Sundance 2019
For one year, director Alison Klayman (whose last Sundance film was the wonderful 2012 documentary Ai Weiwei: Never Sorry) followed the work and life of far-right political activist and former Trump a…
‘I Am Mother’ Review: Cool sci-fi apocalyptic world building can’t save shallow story | Sundance 2019
I Am Mother has some really cool apocalyptic sci-fi imagery that aids its incredible world-building. However, the story that populates it doesn’t live up to those technical standards, instead, more co…
‘Little Monsters’ Review: A reminder to thank our teachers in hilarious horror-comedy | Sundance 2019
A zombie film is probably not what comes to mind when thinking of films that appreciate teachers but after Little Monsters, it makes total sense. Director Abe Forsythe celebrates childhood and the tea…
‘The Nightingale’ Review: A messy and violent look at humanity | Sundance 2019
There’s no denying The Nightingale is a difficult watch. (When the theater manager says they have psychologists waiting outside if you need to leave, it’s pretty serious.) But while The Nighting…