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‘Orphan: First Kill’ review: A clever and satisfactory prequel to a divisive horror film

In the entertainment industry, sequels and prequels are typically conceived to continue the hype of…

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‘The Territory’ review: A fascinating exploration of the people at the frontlines in the fight for the future of the Amazon rainforest

By the end of 2021, the Brazilian Amazon rainforest experienced its highest rate of deforestation…

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‘The Legend of Molly Johnson’ review: Leah Purcell delivers a captivating performance in revisionist Western

Leah Purcell is the writer, director, and star of The Legend of Molly Johnson, playing a…

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‘Beast’ review: Idris Elba battles lion in film prideful of B-movie thrills

In a world where studio blockbusters bend over backwards to try and craft cinematic universes,…

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‘Bodies Bodies Bodies’ review: A new generation of slasher

The culmination of Gen Z and the digital age comes together in A24’s newest slasher…

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‘Emily the Criminal’ review: A smart and tightly woven crime thriller starring Aubrey Plaza

In Emily the Criminal, first-time writer/director John Patton Ford makes simultaneously crafting a tense thriller…

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‘Summering’ review: A half-baked and muddled misfire for James Ponsoldt

Promising on paper, Summering is a frustrating film on almost every level. I went in with high…