“Introducing the all new 2020 David Byrne human being! A timeless classic is back in style, now sleeker and more accessible than ever before. The Byrn…
‘On the Rocks’ review : Sofia Coppola’s latest is beautifully made but unfortunately vacant
Sofia Coppola has made a career of finding the poignant in daily minutia and intricate beauties in the sublime. Hers is an eye that gravitates to past…
‘Evil Eye’ Movie review: Blumhouse’s newest film has wasted potential
On paper, Rajeev and Elan Dassani’s film, Evil Eye, has a fascinating premise. Featured in Amazon Prime’s Welcome to the Blumhouse series, Evil Eye fe…
‘Love and Monsters’ review: Found families save the world in this fun monster tale
There’s all different types of love in Love and Monsters. Romantic love drives Joel’s (Dylan O’Brien) quest across a monster-infeste…
AFI 2020 review: ‘Sound of Metal’ is an uncompromising character study anchored by Riz Ahmed’s tour de force performance
Bruising in its delivery and blistering in its fall out, Sound of Metal is an astonishing, fully visceral experience anchored entirely by a tremendous…
‘The Trial of the Chicago 7’ review: Not your average courtroom drama
There’s no mistaking the fact that The Trial of the Chicago 7 is an Aaron Sorkin film. From the dialogue-heavy script to the wry and witty banter, Sor…
Black Box review: Osei-Kuffour Jr.’s debut explores the horror behind false memories
Memories are tricky things to decipher. Sometimes we misremember things, while at other times, certain moments can be entirely misrepresented or exagg…