If one were to say Mamoru Hosoda’s Mirai is a film about family they wouldn’t be wrong, but at the same time would be doing this tapestry of ancestral…
Creed II Movie Review: The sequel tries but it can’t quite live up to Ryan Coogler’s former glory
Ryan Coogler’s Creed opened in a youth detention center. Young Adonis Creed, pulsing with rage, gets in a fight with another boy for seemingly no reas…
The Favourite Movie Review: The farce involved nearly impedes any dramatic empathy gained by Yorgos Lanthimos
Even if you find yourself unable to stomach the overwhelming emotional remove of his films, how can one not to be impressed by the unique constructs o…
Green Book’s Perspective is Skewed to Favor Viggo Mortensen Over Mahershala Ali
Peter Farrelly, whose filmography consists of mostly comedies such as There’s Something About Mary and Dumb and Dumber, takes on a different kind of f…
Ralph Breaks the Internet: Wreck-It Ralph 2 Is Only Slightly Better Than Flickbait
In true Disney fashion, Ralph Breaks the Internet: Wreck-It Ralph 2 aims to capture the attention of a wide audience by invoking wonder through wonder…
May the Devil Take You is a Satisfying, Gruesome Tribute to Haunted House Chillers
Though perhaps best known here in the West for his contributions to horror anthology films like The ABCs of Death (2012) and V/H/S/2 (2013), Indonesia…
Jonathan Movie Review: Ansel Elgort Carries So-So Sci-Fi on His Shoulders
A Baby Driver star goes Black Mirror in Jonathan, the sci-fi drama from co-writer-director Bill Oliver. Well, more accurately, the Ansel Elgort-topper…