In 2014, Adam Sandler and his Happy Madison Productions signed a $250 million deal with Netflix to produce four new movies. Since that deal, Sandler a…
‘Vampires vs. the Bronx’ review: Netflix’s new film explores how gentrification affects communities of color
Written and directed by Oz Rodriguez, Vampires vs. the Bronx tackles the underdog story in a new way. While movies about vampires have been seen time …
‘Enola Holmes’ review: Netflix’s charming addition to a new Sherlock Holmes canon
Enola Holmes is the joy we needed from 2020. Watching the trailer, it seemed like we were getting a lighthearted version of a Sherlock Holmes detectiv…
‘Stuntwomen’ documentary review: An untold story both unmissable and unforgettable
Legs, three times. Shoulder. Head. Teeth. Nose. These are the parts stuntwoman-turned-stunt coordinator Melissa Stubbs recalled she had broken through…
‘Unpregnant’ review: Buddy comedy confidently confronts abortion stigmas
It takes about 47 minutes for Unpregnant to say the word “abortion.” Not only that, the movie’s main character is afraid to even say the word until sh…
The Babysitter: Killer Queen review: Netflix sequel brings bloody fun in a weak plot
The dead (jokes) don’t stay dead on Netflix’s newest horror-comedy sequel, The Babysitter: Killer Queen. Just like its predecessor – The Babysitter (2…
‘Antebellum’ review: A butterfly too hollow for urgent race discussions
Time to expand the Wikipedia entry of “Antebellum (film).” A 2020 American horror film, yes, and a title that is a contraction of “an anti-oppression …