It’s hard to feel bad for John Mayer. In the 20 years since his debut album Room for Squares turned the Berklee dropout into a pop-rock heartthrob, Mayer has done practically everything any rock star …
‘Van Weezer’ review: Weezer’s ode to riffy classic rock is exactly what you’d expect
There’s no point in giving Weezer any kind of reaction anymore. Their place in alt-rock history is firmly cemented as emo godfathers, 70s rock preservationists, and pop song professionals. None of the…
‘Medicine at Midnight’ review: Foo Fighters’ failures continue but at least they’re not dull
For as legendary as the Foo Fighters are, outside of a few singled-out LPs, the group’s album-based consistency has been a disappointing affair—especially since 2011’s solid Wasting Light.…
Album Review: Caroline Rose – “Superstar”
On her fourth album, Superstar, Caroline Rose concocts an irresistible and delightfully self-aware depiction of falling in love with fame. The slim album tracks a classic “girl meets celebrity, girl l…
Album Review: Hayley Williams – “Petals for Armor”
If there’s one thing that truly defines Hayley Williams, it’s power. Barely over five-feet tall, Williams has built an outstanding presence for herself in the 15 years she’s been a working musician. A…
Album Review: Thundercat offers laid-back funk on “It Is What It Is”
For all of his musical talent and professionalism, it’s hard to take Thundercat seriously. From his pink noodle braids to the stoner-chic of his hoodie/shorts combo to his iconic oversized bass to son…
Album Review: Mac Miller – “Circles”
Mac Miller was almost there. The Pittsburgh rapper had long left behind the days of his goofy mixtapes and stoner bro persona, mixing his passions for rock and R&B into his increasingly-layered mu…